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Chopin, Frédéric: Barcarolle for Piano in F-sharp major op. 60

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Instrumentation: Piano
Période: Moyen-age, romantique
Degré de difficulté: 5
Pages: 16 pp
Editeur: Bärenreiter
Numéro d’édition: BA11831
Cotage de l'editeur: BA11831
ISMN: 9790006566105
In 1845/46 Chopin composed his bel canto inspired 'Barcarolle' in F-sharp major op. 60, which became a model for subsequent generations of composers.
In his evaluation of the divergent and partly even contradictory sources - due to the different engraving models (Stichvorlagen) for the first editions published almost simultaneously in Paris, London, and Leipzig - the editor obtains new results and readings, especially regarding problematic passages.
Chopin's pedal indications from the other sources, which differ from the main source, are added in small print. Information on this is provided in the Critical Commentary, which also documents the numerous variants of the sources and editorial decisions. An informative preface (Ger/Eng) discusses the genesis of the work and Chopin's specific understanding of the final shape of his works.
Hardy Rittner supplements Chopin's fingering from a historically informed perspective. He gives in-depth advice on central questions of performanc e practice (including cantilena style, rubato and pedal use) and discusses different interpretational approaches (Ger/Eng).
Practical page turns (with fold-out page) and a reader-friendly engraving round off this new edition.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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