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Martinu, Bohuslav: Puppets I-III III.

Short Pieces for Piano

Spielpartitur

Herausgegeben von Brezina, Aleš – Koukl, Giorgio
Besetzung: Klavier
Besetzung: piano
Periode: 20. Jahrhundert
Anzahl der Seiten: 79 Seiten
Gewicht: 0.3 kg
Verlag: Bärenreiter
Artikelnummer: H7970
Verlagsnummer: H07970
ISMN: 9790260104204
Despite the extraordinary significance attributed toBohuslav Martinu's 14 short piano piecesentitled Puppets, surprisingly little is known about the exact time andcircumstances of theircomposition. It is however certain that these are the first works by Martinuwhich transcendedhis initial attempts at composition and they quickly found a publisher. Thanksto their lastingpopularity particularly with young pianists, they were published in numerouseditions. Thepieces take the characters of Italian commedia dell'arte as their theme,Pierrot, Colombineand Harlequin. Also included are dance and ball scenes, as well as scenes fromthe &quot,privatelives&quot, of the puppets. The three editions of Puppets were composed between1912 and1925 in reverse order. The works all differ from one another, beginning withdifferentaesthetic starting points and ending with piano writing which graduallymatures. Nowthe cycle is published for the first time in one volume.
- Martinu's Puppets now available in a collected edition- all three editions in one volume- newly revised based on available sources - new fingerings by Giorgio Koukl - preface and Critical Commentary by editor Ales Brezina (Cz./Ger./Eng./Fr.)
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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