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Eben, Petr: Musica Dominicalis

Sonntagsmusik

Spielpartitur

Besetzung: Orgel
Besetzung: Org
Periode: 20. Jahrhundert
Gewicht: 0.243 kg
Verlag: Bärenreiter
Artikelnummer: H3761
Verlagsnummer: H03761
ISMN: 9790260101173
The new edition of what is, with doubt, Petr Eben's most famous composition for the royal instrument, is based on a revision by Prof. Jan Hora, undertaken in cooperation with the composer. Since this cycle was written half a century ago (1958), the organ has undergone certain changes, and it was therefore necessary to make corrections in the notation of this classic work in order that it correspond to the way the instrument is played today. But it was not only contemporary aspects which influenced this latest edition. We also took a step back, right to the very beginning, giving the work its original title, Musica dominicalis, which further underlines its timelessness. This edition contains a preface and notes on performing the work by Jan Hora in three languages (Cz./Ger./Eng.).
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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