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Dvořák, Antonín: Stabat Mater II/1

Chorpartitur

Op. 58
Besetzung: Oratorios, Gesang
Besetzung: SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/Orch
Reihe: The Complete Works of Antonín Dvorák
Periode: Romantik
Gewicht: 0.451 kg
Verlag: Bärenreiter
Artikelnummer: H1882
Verlagsnummer: H01882
ISMN: 9790260104877
The sacred cantata for solos, choir and orchestra was written as an expression of the pain Dvorak felt after the death of his daughter Josefa (September 1875). He returned to the final stylisation of the work after fate dealt him another heavy blow when, in the summer of 1877, two of his other children died in quick succession. Dvorak's musical setting of the medieval Passion text by Jacopone da Todi is an integral part of the Easter festivities and it is also performed regularly on the concert platform.
Arranged in ten independent parts, of which only the two outer parts are thematically related, this cantata is an unadorned, sincere, to a considerable extent realistic, but also magnanimous reflection of the emotional journey from the depths of torment and suffering to the joyful solace of compassionate prayer. This, together with its purely musical qualities, renders it one of the most compelling and most successful spiritual works in the world repertoire. This title is part of th e first Complete Critical Edition of Works by Antonin Dvorak. The piano reduction was edited by Karel Solc and is based on the critical edition of the score.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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