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Eisendle, Reinhard – Lachmayer, Herbert: Lorenzo Da Ponte

Opera and enlightenment in late 18th century Vienna

Buch

Besetzung: Buch
Anzahl der Seiten: 254 Seiten
Gewicht: 2.046 kg
Verlag: Bärenreiter
Artikelnummer: BVK1874
Verlagsnummer: BVK01874
ISMN: 9783761822692
The subject of this pictorial and textual monograph is the relationship between opera and the enlightenment in Josephine Vienna of the 1780s. At that time Lorenzo Da Ponte was a poet at the imperial theater and wrote many librettos for the opera stage, including the three great operas for Mozart that form the heart of this volume: Le nozze di Figaro, Don Giovanni, and Cosě fan tutte .
The book emerged from three exhibitions mounted by the Da Ponte Institute in the Mahler Room of the Vienna State Opera. A rare amalgam of pictures, quotations, and explanatory notes that sheds new light on this exciting decade.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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