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Händel-Jahrbuch 2017, 63. Jahrgang

Buch

Herausgegeben von Händel Voc.ellschaft e. V.
Besetzung: Buch
Anzahl der Seiten: 309 Seiten
Gewicht: 0.405 kg
Verlag: Bärenreiter
Artikelnummer: BVK1457
Verlagsnummer: BVK01457
ISMN: 9783761819067
Das Handel-Jahrbuch 2017 veröffentlicht Beitrage von Forscherinnen und Forschern aus Deutschland, Großbritannien und den USA zur Internationalen wissenschaftlichen Konferenz 2016 in Halle (Saale). Prasentiert werden neue Forschungsergebnisse zu den Themen Handel und die Aufklarung und Handel und das Volk als Topos der deutschen Handel-Rezeption im 20. Jahrhundert. Darüber hinaus enthalt das Handel-Jahrbuch den Festvortrag von Sabine Volk-Birke im Rahmen der Handel-Festspiele 2016 und zwei freie Beitrage. Edwin Werner behandelt noch einmal die Frage der Echtheit der bekannten Handel-Miniatur von Christoph Platzer, und Sandra Bowdler (Perth) stellt die Aufführungsgeschichte von Handels Opern in Australien dar. Kleine Berichte und Literaturempfehlungen schließen das Jahrbuch ab.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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