Close, J. Peter – Sassmannshaus, Holger: Early Start on the Double Bass 2
Spielpartitur
The varied songs and melodies are now complemented by easy pieces for two basses, including several duets specially composed for this tutor by Boguslaw Furtok to encourage fun in music-making and to pave the way to ensemble playing.
The authors
Barenreiter's double bass tutor was written by J. Peter Close and Holger Sassmannshaus on the basis of preparatory work by Egon Sassmannshaus and the double bass teacher Ulrich Schwarz. 'Früher Anfang auf dem Kontrabass' transfer s the principles and experience gained from the violin tutor, combining them with modern methods of double bass playing to ensure quick progress on this special instrument.
Holger Sassmannshaus, the son of Egon Sassmannshaus, is a double bass player in the Lower Rhine Symphony in Mönchengladbach/Krefeld. He also teaches double bass and plays in other ensembles.
J. Peter Close, Egon Sassmannshaus's son-in-law, works as a cello and double bass teacher in Munich.
The combined knowledge and experience of the Sassmannshaus/Close family makes these three volumes the most thoroughly researched and thought-through double bass tutor for beginners all over the world.
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
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