Beethoven, Ludwig van: String Quartet in A minor op. 132

Stimmensatz

Besetzung: Streichquartette
Periode: Klassik
Verlag: Bärenreiter
Artikelnummer: BA9032
Verlagsnummer: BA09032
ISMN: 9790006569885
After years of several personal and creative crises, the last two years of Beethoven's life were marked by an irrepressible creative urge that was directed almost exclusively towards the string quartet genre.
Of all these late works, it is the Quartet in A minor op. 132 that most impressively addresses the overcoming of the depression of the past years. The middle of the five movements is a 'Canzona di ringraziamento' entitled: 'Holy Song of Thanksgiving of a recovered person to the deity in the Lydian key'.
In this movement a slow introduction is followed by the heading: 'Feeling renewed strength'. Due to the middle movement full of 'divine power', this string quartet is certainly one of Beethoven's most emotional compositions.
For this new edition of the Quartet op. 132, Beethoven specialist Jonathan Del Mar consulted the autograph as well as several sets of parts corrected by Beethoven, enabling him to correct countless inconsistencies and unconvincing editorial decisions o f previous editions.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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