Beethoven, Ludwig van: Love in a Village -A Comic Opera-

A Comic Opera

Partitur

Besetzung: Soli, Chor und Orchester
Besetzung: 2Sg-S-solo,Sg-Mez-solo,4Sg-T-solo,Sg-Bar-solo,MixedCh-SATB,Orch
Periode: Klassik
Anzahl der Seiten: 282 Seiten
Verlag: Bärenreiter
Artikelnummer: BA8814-01
Verlagsnummer: BA08814-01
ISMN: 9790006543205
Love in a Village was first performed on 8 December 1762 at the Covent Garden Theatre (London). It was to become one of the most popular British musical stage works of the century, and by 1791 it had also gained international acclaim. The question of why this pastiche comic opera was able to develop this special attraction can be described in terms of fashion and tradition. By bringing stylistically sophisticated compositions by various well-known composers into the traditional "Ballad Opera", the theatre makers succeeded in renewing traditional ways of producing and performing playhouse entertainment.
The music of "Love in a Village" stems from four sources: Vocal music from the amusement gardens, Italian opera arias from the 1750s and 1760s, theatrical or occasional music and folk melodies. Love in a Village" thus further developed the methods first used by "Ballad Opera" to create a comic opera from a sentimental plot and pre-existent vocal compositions.
The fourth volume in o ur OPERA series consists of a linen-bound volume and an Edirom file stored on a USB card in credit-card format. The number of simultaneous users of the edition's digital component is unlimited.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

Wie können wir etwas kaufen?

Online-Kauf:

Sie können Noten unmittelbar aus unserem Web-Shop durch Zahlung mit der Kreditkarte, oder per Nachnahme kaufen, allerdings können Sie so nur solche Ausgaben sofort kaufen, welche gerade verfügbar sind.

 

Persönliche Übernahme im Geschäft:

Wir geben Ihnen die Möglichkeit Ihre Bestellung über unsere Website in einen von Ihnen ausgewählten, herkömmlichen Musikalienhandel zu schicken. In diesem Fall werden Sie Kunde des jeweiligen Geschäftes, können Ihre Bestellung dort entgegennehmen und müssen dort zahlen.

 

Die Art des Kaufs und der Zahlung können Sie hier einstellen.

Kopierverbot für Musiknoten
Bitte beachten Sie, dass das Fotokopieren von geschütztem Notenmaterial verboten ist und nur mit Zustimmung des Rechteinhabers erfolgen darf.
Durch das Fotokopieren wird dem Komponisten/Autor seine ihm zustehende Entlohnung für sein geistiges Eigentum vorenthalten.