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Cofalik, Antoni – Cofalik, Antoni / Twardowski, Romuald – Twardowski, Romuald: At the Zoo

for piano

Spielpartitur

Besetzung: Klavier
Besetzung: piano
Gattung: Pedagogische Werke
Anzahl der Seiten: 31 Seiten
Gewicht: 0.146 kg
Verlag: Bärenreiter
Artikelnummer: BA8125
Verlagsnummer: BA08125
ISMN: 9790006531646
A piano is a welcome visitor at the zoo. You don't have to be a lion of the keyboard to play this little collection. Antelope, reindeer, and elephants cluster around the young pianist.
The kangaroo takes bold leaps, the bear ambles with measured gait at a comfortable maestoso , the crocodile slithers in a smooth legato, and the beaver baffles the eye with dexterous nibbles. The player rides horseback on a pony with tiny staccato leaps, and grasshoppers set accents of their very own.
Each of these charming pieces poses a special technical task that young players can master playfully, almost effortlessly. Dry études become a thing of the past. Even the colourful illustrations by Marcin Bruchnalski reflect the character of the music.
The Authors
Antoni Cofalik , Polish violin teacher and author of the well-known violin tutor 'Das Geigen -ABC'
Romuald Twardowski , pianist and composer
Marcin Bruchnalski , schoolbook illustrator and cartoonist
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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