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Gade, Niels Wilhelm: Kalanus Werke IV/4

Dramatic Poem for Soloists, Choir and Orchestra

complete edition

Op. 48
Text von Andersen, Carl
Übersetzung von Klengel, Julius
Herausgegeben von Eskildsen, Karsten
Besetzung: Sg-S-solo,Sg-T-solo,Sg-B-solo,Mixed Choir-SSAATTBB,Orch
Periode: Romantik
Gewicht: 2.305 kg
Verlag: Bärenreiter
Artikelnummer: BA7623
Verlagsnummer: BA07623
ISMN: 9790006487806
Kalanus', a 'dramatic poem for soloists, choir and orchestra' op. 48 was composed between June 1867 and March 1869 and is based on a text by Carl Andersen. A historical event during Alexander the Great's Indian campaign (326 AD) serves as the origin of the material: Alexander met Indian philosopher Kaljana, referred to as Kalanos in ancient sources. Gade had originally intended to unite the composition with 'Korsfarerne' (The Crusaders) (1866), and another work with Jewish-historical content in 'a type of trilogy', however, he later abandoned his plan and 'Kalanus' remained in its singular form. The reception of the work was predominantly positive in regard to the music, while form and subject received a somewhat reserved response.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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