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Janáček, Leoš: The Cunning Little Vixen -Opera in three acts-

Opera in three acts

Partitur

Besetzung: Soli, Chor und Orchester
Besetzung: 5Sg-S-solo,Sg-Mez-solo,2Sg-A-solo,2Sg-T-solo,Sg-Bar-solo,3Sg-B-solo,FCH-SA,*KinSti,MixedCh(SAATTBB),Tz-Bal,4Fl(3,4Fl-picc),2Ob,EnglHn,2Clar,Clar-B,3bassoon(3bassoon-Ko),4Hn,3Trp,3Pos,Tb,Pk,Xyl,Tri,Be,Tr-Kl,Tr-K,Tr-Gr,Cel,Hfe,2V,Va,Vc,Db
Schwierigkeitsgrad: 6
Anzahl der Seiten: 553 Seiten
Erscheinungsjahr: 2020
Verlag: Bärenreiter
Artikelnummer: BA6867-01
Verlagsnummer: BA06867-01
ISMN: 9790260109377
Leos Janácek began composing his seventh opera, ''The Cunning Little Vixen'', based on the popular feuilletons of Rudolf Tesnohlídek, in January 1922. The first copy of the score, since lost, was completed by Václav Sedlácek inOctober 1923, while the second copy was prepared by Jaroslav Kulhánek in January 1924. The world premiere took place on 6 November 1924 under the direction of Ota Zítek and was conducted by Frantisek Neumann. The vocal score waspublished in Czech before the event and then
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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