Preis: $480.60 (exkl. MWSt.)
Online Verfügbarkeit: Kein Lagerartikel. Ware innerhalb von 15 Tagen versandbereit
Bei Übernahme im Musikgeschäft: Kein Lagerartikel. Ware innerhalb von 15 Tagen versandbereit

Telemann, Georg Philipp: Die Last-tragende Liebe oder Emma und Eginhard 37

Singspiel in 3 acts

Herausgegeben von Hirschmann, Wolfgang
Text von Wend, Christoph Gottlieb
Reihe: Telemann Musical Works
Periode: Barock
Dauer: 1:39
Gewicht: 2.358 kg
Verlag: Bärenreiter
Artikelnummer: BA5855
Verlagsnummer: BA05855
ISMN: 9790006497942
In Die Last-tragende Liebe oder Emma und Eginhard (1728) several strands and levels of plot are interwoven in complex fashion. The serious is intertwined with the comic, affairs of state with the individually human. People of high rank and lower rank communicate with each other, one group perfectly understanding the language of the other and even capable of speaking it if necessary.
Charlemagne, emerging victorious from a war, learns that his daughter Emma and his secretary Eginhard have fallen in love with each other. As Emperor, Charlemagne, pressed by his wife Fastrath, has to oppose this relationship, but as a loving father he comes into conflict, as Emma has to decide between her love or a marriage befitting her social standing. In addition to this, Emma is wooed by Prince Heswin who in turn is loved by Emma's friend Hildegard. The servant Barbara, who is pursued by the factotum Urban, is in love with Eginhard, but it is Steffen, the commentator on everything, who succeeds in w inning her.
Telemann's highly complex music, expressive and emotional, artistic and stylish, is suited to each and every situation and level - 'an incomprable masterpiece by Herr Telemann who is never praised enough', as the printed libretto stated.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

Wie können wir etwas kaufen?

Online-Kauf:

Sie können Noten unmittelbar aus unserem Web-Shop durch Zahlung mit der Kreditkarte, oder per Nachnahme kaufen, allerdings können Sie so nur solche Ausgaben sofort kaufen, welche gerade verfügbar sind.

 

Persönliche Übernahme im Geschäft:

Wir geben Ihnen die Möglichkeit Ihre Bestellung über unsere Website in einen von Ihnen ausgewählten, herkömmlichen Musikalienhandel zu schicken. In diesem Fall werden Sie Kunde des jeweiligen Geschäftes, können Ihre Bestellung dort entgegennehmen und müssen dort zahlen.

 

Die Art des Kaufs und der Zahlung können Sie hier einstellen.

Kopierverbot für Musiknoten
Bitte beachten Sie, dass das Fotokopieren von geschütztem Notenmaterial verboten ist und nur mit Zustimmung des Rechteinhabers erfolgen darf.
Durch das Fotokopieren wird dem Komponisten/Autor seine ihm zustehende Entlohnung für sein geistiges Eigentum vorenthalten.