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Mozart, Wolfgang Amadeus: Scande coeli limina

Chorpartitur

Herausgegeben von Federhofer, Hellmut
Übertragung von Köhs, Andreas
Besetzung: Gesang
Besetzung: SSolo/Mixed choir-SATB/Trp1/Trp2/timpani/Str/Bc
Reihe: Bärenreiter Urtext
Periode: Klassik
Schwierigkeitsgrad: 3
Dauer: 0:04
Anzahl der Seiten: 10 Seiten
Gewicht: 0.052 kg
Verlag: Bärenreiter
Artikelnummer: BA4882-90
Verlagsnummer: BA04882-90
ISMN: 9790006458714
The Offertorium in Festo Sti Benedicti 'Scande coeli limina' K.34, constisting of an aria and chorus, is Mozart's earliest surviving shorter sacred work. The three-part aria, which bears traces of French models, is motivically related to the four-hand piano sonata K.358 (186c) and the piano sonata K. 330 (300h). According to Max Keller, Mozart composed it on his return from Paris in 1766 at the abbey of Seeon in Bavaria for the feast of St. Benedict. The text most likely stems from a monk poet of the Baroque era.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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