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Mozart, Wolfgang Amadeus: Concerto for Flute and Orchestra G major K. 313 (285c)

Klavierauszug

Herausgegeben von Giegling, Franz
Übertragung von Höffler, Conrad – Schenck, Johann
Besetzung: Flöte und Klavier
Besetzung: Fl-Solo/2Fl/2Ob/2Hn/Str
Reihe: Bärenreiter Urtext
Periode: Klassik
Dauer: 0:23
Gewicht: 0.314 kg
Verlag: Bärenreiter
Artikelnummer: BA4854-90
Verlagsnummer: BA04854-90
ISMN: 9790006482887
The new Barenreiter piano reduction of Mozart's G major flute concerto offers not only a clearly laid out reduction with page turns where players need them, but the results of years of scholarly research combined with the know-how of some of the most important performers and teachers today.
In the solo flute part all tutti passages are presented completely in large print as found in the sources. Emendations by Franz Giegling , editor of the New Mozart Edition volume, are indicated typographically so players can clearly see what has been added. This new reduction also provides a wealth of cadenza options, the first two movements each have FIVE new cadenzas to choose from. The renowned English flautist and teacher Rachel Brown has provided not only three cadenzas to each of the first two movements, but also TEN possibilities for the embellishment of the last movement fermata and the ' Eingang ' following it. Complementing Franz Giegling's historical preface, Rachel Brown has written a lengthy text on performing cadenzas and specifically on how Mozart structured his own piano concerto cadenzas as a guide to structuring and improvising Mozart flute cadenzas.
Additional cadenzas and ' Eingange ' are provided by the German flute player Konrad Hünteler and performance practice specialist Karl Engel. All in all, this new reduction is like nothing flute players have seen before: quality, reliability, comprehensiveness and good value!

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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