Mozart, Wolfgang Amadeus: Missa longa
Chorpartitur
The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770's, one cannot ignore the consecration of Ignaz Josef Count Spaur, coadjutor and administrator of the diocese of Brixen, as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claims that Leopold Mozart's mention of Wolfgang's 'Spaur Mass' in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur, an old friend of the Mozart family. Mozart's work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from th is period which is appropriate to such a highly solemn event.
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
