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Mozart, Wolfgang Amadeus: Missa

Chorpartitur

Übertragung von Focke, Martin
Herausgegeben von Senn, Walter
Besetzung: Gesang
Besetzung: SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/2Ob/2Trp/3trombone/timpani/2V/Bassi/Org
Reihe: Bärenreiter Urtext
Periode: Klassik
Schwierigkeitsgrad: 3
Anzahl der Seiten: 39 Seiten
Gewicht: 0.138 kg
Verlag: Bärenreiter
Artikelnummer: BA4851-90
Verlagsnummer: BA04851-90
ISMN: 9790006457045
Although the composition date in unclear, Mozart‚s 'Missa in C major' K. 258 was most probably written around 1775/76. This mass was composed in 'brevis' form and was named as such on the cover of the collected volume for the incipit. As Mozart supplemented the customary trio instrumentation with further instrumental parts, this work could also be of the 'brevis et solemnis' genre.
Mozart added two oboes to the orchestral parts - the performance parts were written in Mozart's hand and supplement the primary manuscript. However these two oboe parts never seem to have reached a copyist as up to the present day, no copy of the work including these parts has come to light. The editor Walter Senn has included the oboe parts in this Urtext edition. Corrections and additions made by the editor are marked typographically in the musical text.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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