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Szathmáry Zsigmond: Mors et Vita 13

for Great Organ

Spielpartitur

Herausgegeben von Szathmáry, Zsigmond
Besetzung: Orgel
Besetzung: Org
Sprache: deutsch
Schwierigkeitsgrad: 6
Anzahl der Seiten: 17 Seiten
Gewicht: 0.114 kg
Erscheinungsjahr: 2017
Verlag: Bärenreiter
Artikelnummer: BA11249
Verlagsnummer: BA11249
ISMN: 9790006565207

‚Mors et vita’ death and life. This antithesis opens a stanza of the ancient 11th-century Easter sequence Victimae paschali laudes, where life and death are locked in mutual struggle. Zsigmond Szathmáry’s 12-minutecomposition of 2015, commissioned for the Freiburg Minster, interprets this primal human experience with mighty explosions of sound. Here the organ can show what it’s capable of: its grandeur and strength are fully exploited, butnot at the expense of soft and gentle contrasts. Typ

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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