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Satie, Erik: Ogives / Gymnopédies

Spielpartitur

Herausgegeben von Rosteck, Jens
Besetzung: Klavier
Reihe: Bärenreiter Urtext
Periode: Romantik
Sprache: englisch, deutsch
Gewicht: 0.147 kg
Verlag: Bärenreiter
Artikelnummer: BA10806
Verlagsnummer: BA10806
ISMN: 9790006541171

Satie‚s ''Ogives'' und Gymnopédies'' are milestones in the history of modern music. The four metrically free ''Ogives'' (meaning pointed arches) reflect the influence of the French NewGothic or Neo-Gregorian movement in architecture with their clear lines and echo effects. The three ''Gymnopédies'' proceed with a swaying, chordal momentum, and Satie’s radically sparse writing makesironic reference to the dance of young warri

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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