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Gesualdo, Carlo: Madrigali a cinque voci. Quinto libro

complete edition

Herausgegeben von Vela, Maria Caraci
Besetzung: Canto/Quinto/Alto/Tenore/Basso
Periode: Renaissance
Sprache: englisch, deutsch, franzözisch
Gewicht: 1.091 kg
Verlag: Bärenreiter
Artikelnummer: BA10385-01
Verlagsnummer: BA10385-01
ISMN: 9790006557219
Carlo Gesualdo‚s fifth 'Book of Madrigals' contains twenty-one pieces set for five voices. In terms of their formal structure, contrapuntal approach, chromaticism, and freedom of part writing, they are regarded as some of his most experimental compositions. This edition is based on the first edition by Carlino, which was published in 1611 under direct supervision of Gesualdo but has only been preserved in parts, as well as the edition published by Gardano in 1614 which was also presented in partbook form.
The detailed Preface discusses the editorial approach while describing and evaluating all relevant sources. Furthermore, conclusions regarding the distribution and importance of Gesualdo's music are drawn from an analytical look at its dedicatees, and all essential characteristics of the compositions included in this volume are covered.
Additionally, the poems set to music by Gesualdo have been meticulously evaluated and edited for contemporary interpretation (N. Panizza). They are available in separate critical editions.
The concluding Critical Commentary contains an index of all handed down sources, listing all deviations from the two primary sources.
- First-ever edition based on the primary sources approved by the composer
- Extensive historic Preface
- Separate edition of the poems on which the music has been set
- Complete overview of sources listing different readings

Inhalt

1.
Madrigali a cinque voci. Quinto libro [Gesualdo, Carlo]
2.
Gioite voi col canto [Gesualdo, Carlo]
3.
2. S?io non miro non moro [Gesualdo, Carlo]
4.
3. Itene, o miei sospiri [Gesualdo, Carlo]
5.
4. Dolcissima mia vita [Gesualdo, Carlo]
6.
5. O dolorosa gioia [Gesualdo, Carlo]
7.
6. Qual fora, donna, un dolce ?ohimŠ? d?Amore [Gesualdo, Carlo]
8.
7. Felicissimo sonno [Gesualdo, Carlo]
9.
8. Se vi duol il mio duolo [Gesualdo, Carlo]
10.
9. Occhi, del mio cor vita Librettist: Guarini, Giovanni Battista [Gesualdo, Carlo]
11.
Languisce alfin chi da la vita parte [Gesualdo, Carlo]
12.
11. ?MercŠ !? grido piangendo [Gesualdo, Carlo]
13.
12. O voi, troppo felici [Gesualdo, Carlo]
14.
13. Correte, amanti, a prova [Gesualdo, Carlo]
15.
14. Asciugate i begli occhi [Gesualdo, Carlo]
16.
15. Tu m?uccidi, o crudele [Gesualdo, Carlo]
17.
16. Deh, coprite il bel seno Librettist: Arlotti, Ridolfo [Gesualdo, Carlo]
18.
17. Poich│ l?avida sete (prima parte) [Gesualdo, Carlo]
19.
18. Ma tu, cagion di quell?atroce pena (seconda parte) [Gesualdo, Carlo]
20.
19. O tenebroso giorno! [Gesualdo, Carlo]
21.
20. Se tu fuggi, io non resto [Gesualdo, Carlo]
22.
21. ?T?amo, mia vita? la mia cara vita Librettist: Guarini, Giovanni Battista [Gesualdo, Carlo]
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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