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Fišer, Luboš: Sonata VII

for Piano

playing score

存款: Piano
器乐创作: piano
Weight: 0.105 kg
出版者: Bärenreiter
刊物代码: H7766
其他出版代码: H07766
ISMN: 9790260102972
Piano Sonata No. 7 was written in 1985, namely around the time of the film opera Eternal Faust, and ten years after Piano Sonata No. 6. Like Fiser´s masterpieces from the 1960s, this work is also modal (modes B flat-B-C-C sharp-E-F-F sharp-G, in three places extended to include the note E flat). The piece is divided into short sections with highly contrasting rhythms, dynamics and tempos, thematically, however, it is closely integrated and unified. The harmony almost exclusively comprises two or three note chords, with emphasis on the use of seconds, tritones and fourths within a broad position, with the endeavour to achieve maximum dramatic effect. Nevertheless, this sonata betrays a certain loosening of the strict dramatic abbreviation which occured in works from the 1960s, particularly where the melody is concerned: the composer uses broad lyrical themes as an effective contrast to the dramatic short ostinato melodies. This tendency, already apparent in Piano Sonata No. 5, was fully developed during the 1990s.
The premiere of Piano Sonata No. 7 was held in Munich in 1987. It was first published in 1997 by Barenreiter Editio Supraphon Prague, in a re-print of a transcription provided by the Czech Music Fund (Ceský hudební fond) in whose preparation the composer was also involved at the time. The new edition consistently adheres to this authorised copy of the work, while confining itself to the correction of several apparent omissions and errors.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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