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Guilmant, Félix-Alexandre: Selected Organ Works

playing score

Edited by Kalipp, Wolf
Instrument: Organy
Skład: Org
Waga: 0.304 kg
Wydawca: Bärenreiter
Numer katalogowy: BA8409
Inne : BA08409
ISMN: 9790006506095
With their clear formal design and their manageable demands on technique, these pieces reflect Guilmant's basic precept of creating works for church and concert performance.
Stylistically, they are noteworthy for their evocative and confessional mood and their straightforward, highly melodious workmanship.
The first four-piece cycle might be termed a 'Gregorian Suite', the second is a Christmas suite with Chorale, Magnificat and La Cręche . The Trois Oraisons can be regarded as Guilmant's swan-song: here the composer expressed his spiritual concerns, creating a transfigured idiom for the organ in a meditative and improvisatory vein while ingeniously blending Wagner's tonal language with Lisztian intimacy.
- First Urtext edition of Guilmant's organ works in five volumes
- Based on the latest scholarship
- With sources never evaluated before
- Detailed preface, critical report and source references (German/English/French)
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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