Schütz, Heinrich: Twelve Sacred Vocal Pieces
vocal/choral score
In his role as Kapellmeister to the Dresden court Heinrich Schü,tz composed 'Zwö,lf Geistliche Gesä,nge' for the Saxon court church. Six of them belong to the liturgy of the 'German Mass'. They can be sungindividually as well as in their entirety, today as well as then, even by 'small cantors' - as Schü,tz wanted it to be 'to the honour of God'.
This selection of 12 motets for four-part mixed chorus (SATB) opens up theseworks to the field of practical music making.
Zawartość | ||
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1. | Kyrie Gott Vater in Ewigkeit SWV 420 [Schütz, Heinrich] | |
2. | Das deutsche Gloria in excelsis (All Ehr und Lob soll Gottes sein) SWV 421 [Schütz, Heinrich] | |
3. | Der Nicänische Glaube (Ich glaube an einen einigen Gott) SWV 422 [Schütz, Heinrich] | |
4. | Die Worte der Einsetzung des heiligen Abendmahl (I. Unser Herr Jesus Christus | |
5. | II: Desselbigengleichen nahm er auch den Kelch) SWV 423 [Schütz, Heinrich] | |
6. | Der 111. Psalm (Ich danke dem Herrn von ganzem Herzen) SWV 424 [Schütz, Heinrich] | |
7. | Dank sagen wir alle Gott SWV 425 [Schütz, Heinrich] | |
8. | Das Benedicite vor dem Essen (I. Aller Augen warten aufdich, Herre | |
9. | II. Vater unser , der du bist im Himmel | |
10. | III. Herre Gott, himmlischer Vater) SWV 429 [Schütz, Heinrich] | |
11. | Das Deo gratias nach dem Essen (I. Danket dem Herren, denn er ist sehr freundlich | |
12. | II. Vater unser, der du bist im Himmel | |
13. | III. Wir danken dir, Herr Gott) SWV 430 [Schütz, Heinrich] |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
