Schubert, Franz: Lieder
for High Voice and Piano
vocal/choral score
The new Urtext edition of Franz Schubert&rsquo,s Lieder edited by Walther Dü,rr continues with volume 7, presented in separate volumes for high, medium, and low voice.
This new volumecontains the Lieder that Schubert composed between May and August 1815, including his setting of Schiller&rsquo,s ballad Die Bü,rgschaft (D 246).
内容目录 | ||
---|---|---|
1. | Die erste Liebe D 182 | |
2. | Die Sterbende D 186 | |
3. | Naturgenuss D 188 | |
4. | Die Mainacht D 194 | |
5. | Amalia op. post. 173, 1 D 195 | |
6. | An die Nachtigall op. post. 172, 3 D 196 | |
7. | An die Apfelbäume, wo ich Julien erblickte D 197 | |
8. | Seufzer D 198 | |
9. | Liebeständelei D 206 | |
10. | Der Liebende D 207 | |
11. | Die Nonne D 208 | |
12. | Die Liebe D 210 | |
13. | Adelwold und Emma D 211 | |
14. | Der Traum op. post. 172, 1 D 213 | |
15. | Die Laube op. post. 172, 2 D 214 | |
16. | Kolmas Klage D 217 | |
17. | Grablied D 218 | |
18. | Das Finden D 219 | |
19. | Der Abend op. post. 118, 2 D 221 | |
20. | Lieb Minna. Romanze D 222 | |
21. | Idens Nachtgesang D 227 | |
22. | Von Ida D 228 | |
23. | Die Täuschung op. post. 165, 4 D 230 | |
24. | Das Sehnen op. post. 172, 4 D 231 | |
25. | Geist der Liebe op. post. 118, 1 D 233 | |
26. | Tischlied op. post. 118, 3 D 234 | |
27. | Abends unter der Linde D 235 | |
28. | Abends unter der Linde D 237 | |
29. | Die Mondnacht D 238 | |
30. | Huldigung D 240 | |
31. | Alles um Liebe D 241 | |
32. | Winterlied D deest | |
33. | Die Bürgschaft D 246 | |
34. | Die Spinnerin op. post. 118, 6 D 247 | |
35. | Lob des Tokayers op. post. 118, 4 D 248 | |
36. | Das Mädchen aus der Fremde D 117 | |
37. | Das Mädchen aus der Fremde D 252 | |
38. | Punschlied. Im Norden zu singen D 253 | |
39. | Der Gott und die Bajadere. Indische Legende D 254 | |
40. | Der Rattenfänger D 255 | |
41. | Der Schatzgräber D 256 | |
42. | Bundeslied D 258 | |
43. | Wonne der Wehmut op. post. 115, 2 D 260 | |
44. | Wer kauft Liebesgötter? D 261 | |
48. | Register der Bände 1 bis 7 / Index of volumes 1 to 7 |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
