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Berlioz, Hector: Harold en Italie (NBE) 17

complete edition

Edited by Banks, Paul – Macdonald, Hugh
器乐创作: Orch
系列: New Berlioz Edition
时期: Romantic
时长: 0:43
Weight: 1.232 kg
出版者: Bärenreiter
刊物代码: BA5457
其他出版代码: BA05457
ISMN: 9790006495047
In Chapter 45 of his 'Memoirs' Berlioz wrote in some detail about the origins of 'Harlod in Italie', which was composed in response to a request from the great violinist Paganini. Berlioz first met him after his concert in Paris on 9 December 1832. 'A few weeks after the concert which had re-established me, Paganini came to see me. He told me he had a Stradivarius viola, a marvellous instrument, which he wanted to play in public, but he lacked the right music. Would I write him a piece for it? 'You are the only one I would trust with such a commission', he said.'
Liszt attended the first and third performance of 'Harold en Italie' in 1834, and soon after, on 9. April 1935, played the second movement as a solo piano item at the Hôtel de Ville. This was published in 1866. Liszt was able to write his arrangement of the full symphony for viola and piano as eventually publishes, not for piano solo.
Berlioz refused to publish the score and orchestral parts, mainly out of concern that the work should not be inadequately performed in his absence, until after his first two concert tours in Germany. All performances before 1848 were given from manuscript material.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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