Deutsch
English
Español
Français
Magyar
Polski
Română
Slovenský
Slovenščina
Bach, Johann Sebastian: The Well Tempered Clavier BWV 870-813 2
Edited by Lantos István
存款: Piano
系列: EMB Urtext
时期: Baroque
语言: English, German, Hungarian
页数: 148 页
Format: 23 x 30,2 cm (Bach)
Weight: 0.459 kg
首次出版: 1978年9月1日
出版者: Editio Musica Budapest Zeneműkiadó
刊物代码: 8016
ISMN: 9790080080160
"Owing to its conceptual variety, the Wohltemperiertes Klavier constitutes one of Bach's most complete opuses. It equally comprises the world of the chorales and passions, the Baroque dance movements and concertos.
The edition is based on Volume 14 of the complete edition of the Bach-Gesellschaft (Breitkopf and Härtel, Leipzig, 1864) as well as on Hermann Keller's new Urtext edition (Edition Peters, Leipzig, 1963). In shaping the text of the publication we also studied the major Urtext editions in general use today. The text variants of an Urtext validity which by and large equal the main text, are given in ossia. The editor's addenda are put in square brackets, or in the case of ligatures, are marked with broken lines." (István Lantos)
内容目录 | ||
|---|---|---|
| 1. | Praeludium 1 - Fuga 1 | |
| 2. | Praeludium 2 - Fuga 2 | |
| 3. | Praeludium 3 - Fuga 3 | |
| 4. | Praeludium 4 - Fuga 4 | |
| 5. | Praeludium 5 - Fuga 5 | |
| 6. | Praeludium 6 - Fuga 6 | |
| 7. | Praeludium 7 - Fuga 7 | |
| 8. | Praeludium 8 - Fuga 8 | |
| 9. | Praeludium 9 - Fuga 9 | |
| 10. | Praeludium 10 - Fuga 10 | |
| 11. | Praeludium 11 - Fuga 11 | |
| 12. | Praeludium 12 - Fuga 12 | |
| 13. | Praeludium 13 - Fuga 13 | |
| 14. | Praeludium 14 - Fuga 14 | |
| 15. | Praeludium 15 - Fuga 15 | |
| 16. | Praeludium 16 - Fuga 16 | |
| 17. | Praeludium 17 - Fuga 17 | |
| 18. | Praeludium 18 - Fuga 18 | |
| 19. | Praeludium 19 - Fuga 19 | |
| 20. | Praeludium 20 - Fuga 20 | |
| 21. | Praeludium 21 - Fuga 21 | |
| 22. | Praeludium 22 - Fuga 22 | |
| 23. | Praeludium 23 - Fuga 23 | |
| 24. | Praeludium 24 - Fuga 24 | |
EMB Urtext Series
The volumes of this series go back to the contemporary sources and attempt to come as near as possible to the composers' original intentions, stripping the works of the frequently arbitrary editorial markings which they became burdened with over the course of several decades. The necessary emendations and information on techniques are distinguished unambiguously from the original music text. The use of urtext editions appear as basic requirements on the part of music teachers and performers alike.
