The three movements (Serenata, Rondo, Notturno) of the 1966 Musica da camera per 11 reflect in their musical character on the neo-classical works of Stravinsky. Its modernity derives from Maros's instrumentation: the percussion and harp dominate among the eleven instruments, but the soaring lines of the melodic instruments - flute, two clarinets and violin - appear in the score as a signature typical of Maros. (Anna Dalos)