在中国购买

请直接与他们联系:

北京坤宇文化发展有限公司
办公(展厅)地址:北京市房山区长阳镇福泽路2号院中央城16-1624(长阳地铁站对面)
坤宇音乐书店地址:北京市房山区长阳镇怡和北路5号院8号楼105(熙悦广场)
电话010-56964956
店铺地址:https://k.weidian.com/EY5XlDsU
邮箱:sheetmusicky­@­163.com
邮编: 102445
Copyright information

Please note that it is illegal to photocopy copyright protected music without the permission of the copyright holder.

To photocopy is to deprive the composer/author of his/her rightful income for his/her intellectual property.

需要帮忙?

请联系我们的销售团队.

电话: +36 1 2361-115 (English, German)
电话:86-10-57819495 (中国)

电子邮件: info­@­emb.hu

价格: $31.45 不含税
在线购买: 可立即购买
店铺取货: 可预定

Kurtág György: Einige Sätze aus den Sudelbüchern Georg Christoph Lichtenbergs (1996/1999)

for soprano and double bass

Op. 37a
存款: Chamber Music with Voice
类型: Contemporary Hungarian Works
页数: 36 页
Format: Bach (23 x 30,2 cm)
Weight: 0.158 kg
首次出版: 2014年3月1日
出版者: Universal Music Publishing Editio Musica Budapest
刊物代码: 14242
ISMN: 9790080142424
The polymath, naturalist and aesthetician Georg Christoph Lichtenberg (1742-1799) is an interesting figure of 18th-century German cultural history. Yet his most important work, his collection of aphorisms, only appeared posthumously. It embraces almost all the themes that concerned the thinkers of the era, often with a satirical tone. Kurtág selected texts from these volumes for his work, which in its original version (op. 37, 1996) was indeed a musical aphorism collection freely assembled by the performer - this version was withdrawn. However, the final form, composed in 1999, cannot be disjoined. It is a unified composition, although the material for the vocal score remained almost unchanged. Some pieces are purely aphoristic snapshots, yet by means of virtuoso double bass accompaniment, notwithstanding their brevity, are movements of great format. Thus the work can be placed beside Kurtág's major vocal cycles: it is akin to his Kafka Fragments, op. 24 and Attila József Fragments, op. 20 series, but is perhaps closest to Eszká-emlékzaj (Remembrance Noise), op. 12 duo for soprano and violin. Despite the short movements, the form is not fragmentary: the building blocks of the individual pieces of the closed unity within the cycle, even if in character they are different, in this respect echo the shaping principles of the early instrumental pieces (op. 1-5) in Kurtág's oeuvre.
Copyright © 2017 Editio Musica Budapest Zeneműkiadó Ltd.
All rights are reserved. Terms & Conditions. Technical contact: webmaster­@­emb.hu

Editio Musica Budapest and EMB are registered trade marks of Universal Music Publishing Editio Musica Budapest Zeneműkiadó Kft and are used under Licence.