Kurtág György: Kafka-Fragmente für Sopran und Violine
Op. 24
存款: Chamber Music with Voice
类型: Contemporary Hungarian Works
语言: Russian, Hungarian, German, English
页数: 144 页
Format: 23 x 30,2 cm (Bach)
Weight: 0.472 kg
首次出版: 1992年3月1日
出版者: Universal Music Publishing Editio Musica Budapest
刊物代码: 13505
ISMN: 9790080135051
Václav Havel said of this work: "A true Central European encyclopedia." Kurtág's meeting with Franz Kafka was almost fateful, and the speed with which Kurtág, who has been otherwise a slow composer, created the movements of the approximately one-hour series in the fall of 1985 shows how deeply the composer was touched by the text fragments selected from diaries and letters. There is scarcely another work of Kurtág's in which brevity and elegance combine in such a natural way. The composer's virtuosity is evident in every bar, yet there is no indication of ostentation. Every word and nuance is transformed into a sound picture. Meanwhile, the musical motifs derived from the words are musically complete in themselves. However, the KafkaFragmente only forms a perfect unity in the combination of words and music. The psychological and physical worlds meet here, and Kurtág's work achieves the ultimate aim of all music: to add its own existence to the image we create of our own world.Although the composition has been previously performed in several staged versions, since 2019 the composer has contributed exclusively to concert performances.
内容目录 | ||
---|---|---|
1. | The Good March in Step ” | |
2. | Like a Pathway in Autumn | |
3. | Hiding-places | |
4. | Restless | |
5. | Berceuse I | |
6. | Nevermore | |
7. | "But he just won't stop asking me." | |
8. | Someone tugged at my clothes | |
9. | The seamstress | |
10. | Scene at the station | |
11. | Sunday, 19 July 1910 | |
12. | My ear ” | |
13. | Once I broke my leg(Chassidic dance) | |
14. | Enarmoured | |
15. | Two walking-sticks (Authentic-plagal) | |
16. | No going back | |
17. | Pride (15 November 1910, 10 o'clock) | |
18. | The flower hung dreamily | |
19. | Nothing of the kind | |
20. | The true path | |
21. | To have? To be? | |
22. | Coitus as punishment | |
23. | My fortress | |
24. | I am dirty, Milena ” | |
25. | Miserable life | |
26. | The closed circle | |
27. | Destination, path, hesitation | |
28. | As tightly | |
29. | Offensively Jewish | |
30. | Hiding-places | |
31. | Amazed, we saw the great horse | |
32. | Scene on a tram | |
33. | Too late (22 October 1913) | |
34. | A long story | |
35. | In memoriam Robert Klein | |
36. | From an old notebook | |
37. | Leopards | |
38. | In memoriam Joannis Pilinszky | |
39. | Again, again | |
40. | The moonlit night dazzled us |
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