Scriabin’s ideal of music as part of a synthesis of the arts, raising people to a higher level of consciousness, is particularly apparent in his late work ''Vers la flamme'' op. 72. The poeme opens with static, rough chords, and then slowly but steadily rises from the depths to the bright light above. Diverse levels of sound in changing rhythms gradually move above one another and create a suction-like tension. At the close, tremolos and fanfares tower up to a blazing conflagration of orchestral