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Seger, Josef Norbert Ferdinand: Compositions 51

Prelude, Toccata and Fugue for Organ

playing score

Nástroj: Organ
Inštrumentácia: Org
Edičný rad: Musica Antiqua Bohemica
Weight: 0.527 kg
Vydavateľ: Bärenreiter
Objednávacie číslo: H3199
Katalógové číslo vydavateľa: H03199
ISMN: 9790260001138
Already his contemporaries considered Josef Ferdinand Norbert Seger (1716-1782) to be one of the best organ virtuosos and improvisers. As a composer, Seger focused mainly on sacred music and organ music. This critical revision of his preludes, toccatas and fugues is published as part of the Musica Antiqua Bohemica series. The compositions build on the works of B. M. Cernohorský and his school, which draws its style from Italian and South-German organ music, reflections of the influence of J. S. Bach can also be found. The pieces retain a Late-Baroque character, but despite this a separation from the Baroque style can clearly be seen. A detailed historical Preface and Editor's Notes are included, penned by the experts on old music Jan Racek and Vratislav Belský.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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