Sassmannshaus, Egon – Sassmannshaus, Kurt: Early Start on the Violin 3
Elementary duets. Dances and other pieces in various keys
playing score
The third volume emphasises duet playing in a great variety of keys and rhythms and musical styles. Different finger patterns and strokes are thoroughly practiced.
The authors:
The original German Violin method wasfirst published in 1976. The author Egon Sassmannshaus is one of the most experienced and renowned Violin pedagogues in Germany.
For the new English edition his son Kurt Sassmannshaus worked as co-authorand adapted his father’s successful method for
Obsah | ||
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1. | Preface | |
2. | The Half Step Is Between The Second And Third Fingers | |
3. | Ornaments | |
4. | The Half Step Is Between The First And Second Fingers | |
5. | The Second Finger Changes Between Low And High Positiom | |
6. | Tha Half Step Is Between The Third And Fourth Fingers | |
7. | The Third Finger Changes Between Low And High Positions | |
8. | The First Finger Is Low | |
9. | The First Finger Changes Between Low And High Positions | |
10. | Finger Patterns, Old And New | |
11. | The Fourth Finger Is In Low Position | |
12. | Tha Fourth Finger Changes Between Low And High Positions | |
13. | Triplets | |
14. | Duets In various Keys With Changing Finger Patterns | |
15. | Major And Minor Scales |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
