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Ševčík, Otakar: Preparatory Trill Studies and the Development of Double-Stopping

playing score

Op. 7
Edited by Foltýn, Jaroslav
Nástroj: Violin
Inštrumentácia: V
Period: Romantizmus
Stupeň: 3
Weight: 0.318 kg
Prvé vydanie: 2015
Vydavateľ: Bärenreiter
Objednávacie číslo: BA9556
Katalógové číslo vydavateľa: BA09556
ISMN: 9790260107601
Sevcík’s complete works cover every area of violin technique, from the elementary level and special exercises on individual technical problems all the way to analytical studies of the standard violin concertos.His ''Preparatory Trill Studies'' deal with the placement of the fingers, their pressure on the strings and their action on the fingerboard in elementary positions, proceeding from slow movements to trills.This edition is essentially based on the original print published at the outset of t
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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