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Organ Music for the End of the Church Year 3

playing score

Edited by Rockstroh, Andreas
Nástroj: Organ
Inštrumentácia: Org
Weight: 0.366 kg
Vydavateľ: Bärenreiter
Objednávacie číslo: BA9266
Katalógové číslo vydavateľa: BA09266
ISMN: 9790006540754
Church Year
This collection presents pieces for the end of the church year, particularly repertoire from the 19th century which can also be played at funerals.
This new publication continues the successful series of organ music for church services, concert use and special services. It has been conceived for use in all church denominations and targets professional as well as non-professional church musicians.
The collection also contains an index, short biographical notes in two languages (Ger/Eng) and a detailed foreword.
Contents
End of the Church Year:
Chorale preludes by Theophil Forchhammer, Paul Claußnitzer a. o., and an arrangement from the German Requiem by Johannes Brahms
Fear and Trust:
Johannes Weyhmann, "Klage" op. 12,4, Wilhelm Teschner, Charakterstück "Klage und Trost" op. 51, Franciscus Nagler, two chorale preludes on "So nimm denn meine Hande" as well as other chorale preludes
Death and Eternal Life:
Arrangement of the prelude op. 99,4 by Robert Schumann, Max Gulbins, "Totenfest", Max Gulbins, festive fantasia on "Wenn ich einmal soll scheiden", Uso Seifert, "Trauerzug" op. 42, Paul Blumenthal, festive prelude on "Jesus, meine Zuversicht", Johannes Weyhmann, "Memento mori" op. 12,8 and other preludes, figurations, organ pieces on appropriate well-known chorales, chorale preludes on "O Welt, ich muss dich lassen" by Ernst Schnorr von Carolsfeld, Paul Claußnitzer, Philipp Wolfrum a. o.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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