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Rameau, Jean-Philippe: Airs d'opéra / Operatic arias.Tenor

for Tenor

vocal/choral score

Edited by Bouissou, Sylvie – Dratwicki, Benoît – Dubruque, Julien
Transcribed by Saint-Yves, François
Nástroj: Vocal
Inštrumentácia: TSolo
Period: Barok
Rozsah: 149 strán
Weight: 0.587 kg
Vydavateľ: Bärenreiter
Objednávacie číslo: BA9197
Katalógové číslo vydavateľa: BA09197
ISMN: 9790006561384
This volume contains the second half of the great monologues, arias and ariettas that Rameau wrote for haute contre, and which are sung today by a high tenor. Tenor arias from the operas: ''Les Paladins'' (Atis, Manto) / ''Platée'' (Thespis, Platée) / ''Pygmalion'' (Pygmalion) / ''Le Temple de la Gloire'' (Apollon, Bacchus, Trajan) / ''Zais'' (Zaiis, un Sylphe) / ''Zoroastre'' (Zoroastre)╔ Detailed historical Introductions (Fr/Eng) ╔ Well-presented idiomatic piano reduction based on Rameaus ''Op
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In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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