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Mozart, Wolfgang Amadeus: Concert Arias

for High Soprano

vocal/choral score

Transcribed by Beyer, Christian
Edited by Seedorf, Thomas
Nástroj: Vocal
Inštrumentácia: SSolo/piano
Edičný rad: Bärenreiter Urtext
Period: Klasicizmus
Weight: 0.552 kg
Prvé vydanie: 2013
Vydavateľ: Bärenreiter
Objednávacie číslo: BA9181
Katalógové číslo vydavateľa: BA09181
ISMN: 9790006541300

Underlaid text presented in the original language only.

All aria texts translated into German and English and printed separately.

Idiomatic Piano reductions to the individual arias.

Clear and legible layout ofthe musical text.

Additional notes and suggestions on performance practice in the accompanying booklet.

Performance material on hire to each aria.

These vocal scores of Mozart’s concert and insert arias arebased on the New Mozart Edition (NMA).

Obsah

1.
Concert Arias for high Soprano
2.
Recitativo A Berenice ╩ Aria (Licenza) Sol nascente, K. 70 (61c)
3.
Aria Fra cento affanni, K. 88 (73c)
4.
Aria Non curo l’affetto, K. 74bRecitativo Alcandro, lo confesso ╩ Aria Non so d’onde viene, K. 294
5.
Recitativo Popoli di Tessaglia! ╩ Aria Io non chiedo, eterni Dei, K. 316 (300b)
6.
Recitativo Ma che vi fece, o stelle ╩ Aria Sperai vicino il lido, K. 368
7.
Arie Der Liebe himmlisches Gefühl, K. 119 (382h)
8.
Recitativo Mia speranza adorata! ╩ Aria Ah non sai qual pena sia, K. 416
9.
Aria Ah! spiegarti, oh Dio, K. 178 (125i, 417e)
10.
Aria Vorrei spiegarvi, oh Dio!, K. 418
11.
Aria No, che non sei capace, K. 419
12.
Aria Ah se in ciel, benigne stelle, K. 538
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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