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Mendelssohn-Bartholdy, Felix: Elijah

Oratorio

vocal/choral score

Op. 70
Transcribed by Köhs, Andreas
Edited by Seaton, Douglass
Nástroj: Vocal
Inštrumentácia: 2SSolo/2ASolo/2TSolo/2BSolo/Mixed choir: SSAATTBB/Orch
Edičný rad: Bärenreiter Urtext
Period: Romantizmus
Jazyk: English, German
Stupeň: 4
Weight: 0.855 kg
Vydavateľ: Bärenreiter
Objednávacie číslo: BA9070-90
Katalógové číslo vydavateľa: BA09070-90
ISMN: 9790006527571
Immediately after completing 'St. Paul' in 1836, Mendelssohn mulled over the idea of composing a further oratorio. However a whole decade elapsed before the composition of 'Elijah' which takes as its theme the story of the Biblical prophet from the 1st Book of Kings. When he received the invitation to write a major work for the Birmingham Music Festival, Mendelssohn finally embarked on work on the oratorio. 'Elijah' was premiered in 1846 in Birmingham with great success and has enjoyed great popularity ever since.
Following the first performance, Mendelssohn undertook a revision of the oratorio in which whole numbers were removed and new ones substituted. This is the version which was first heard in 1847 in London and which is still performed today.
This Urtext edition of the oratorio edited by the Mendelssohn specialist Douglass Seaton is based on all critical sources. The edition reflects the latest research findings and includes both English and German singing texts.
A crit ical commentary completes the new edition.
100 Years of Bärenreiter

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During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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