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Monteverdi, Claudio: L'incoronazione di Poppea

Opera regia with a prologue and three acts

score

Edited by Schulze, Hendrik
Nástroj: Opera
Inštrumentácia: 6SSolo/MezSolo/2ASolo/2TSolo/2BSolo/StrOrch
Edičný rad: Bärenreiter Urtext
Period: Barok
Weight: 1.474 kg
Vydavateľ: Bärenreiter
Objednávacie číslo: BA8792
Katalógové číslo vydavateľa: BA08792
ISMN: 9790006533091
L'incoronazione di Poppea, Claudio Monteverdi's final opera, had a formative impact on the evolution of this genre. Yet its convoluted source situation makes it one of music history's great enigmas. There are practically no references to the original version that Monteverdi performed in Venice in 1643, as the score has not survived.
To celebrate the 450th anniversary of Monteverdi's birth, this operatic masterpiece is appearing in an edition close to the presumed original. The new edition is based on the score prepared in Venice and found among the possessions of Francesco Cavalli.
This scholarly edition came about due to a remarkable project at the University of North Texas, it was compiled and edited by Hendrik Schulze and his students on the basis of the latest research findings concerning source evaluation, performance practice and the historical context.
- Detailed Introduction to questions regarding sources and interpretation (Eng/Ger)
- Extensive critical apparatus (Eng)
- Libretto edited by Nicola Badolato with text translations (Ital/Eng/Ger)
- Appendix with alternative readings from the Naples source
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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