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Easy Organ Pieces

playing score

Edited by Weyer, Martin
Nástroj: Organ
Inštrumentácia: Org
Weight: 0.259 kg
Vydavateľ: Bärenreiter
Objednávacie číslo: BA8420
Katalógové číslo vydavateľa: BA08420
ISMN: 9790006520305
Volume 3 in our series of easy nineteenth-century organ music provides semi-professional organists with another collection of short one or two manual organ pieces. The editor Martin Weyer , an organist regarded as an authority on nineteenth-century organ music, has limited his selection to works that combine solid craftsmanship with ease of performance.
In essence, volume 3 follows the editorial principles of its two predecessors while increasing the number of truly easy pieces. Among the composers represented is the Dutchman Johannes Barend Litzau (1822-1893), whose Preludes op. 13 and 17 are simple yet elegant works for beginners. The Czech composer Johann Beranek (1813-1885), on the other hand, was more concerned with counterpoint, his Ten Fugues appear here for the first time with detailed analyses to underscore the volume's 'learned' slant. Carl Gottlieb Umbreit (1763-1829) and his colleague Michael Gotthard Fischer (1773-1829) stand at the borderline between a galant organ st yle derived from Kittel and the early romantic age. Another composer who took part in this subtle stylistic evolution was Johann Christian Heinrich Rinck .
The brevity of the compositions makes them perfectly suitable for use as preludes and postludes in church services of all denominations. The volume contains detailed comments on performance practice and a list of sources.
- Technically easy romantic literature
- Also playable on smaller instruments
- Short pieces well suited for use in church services
- Notes on performance practice
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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