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Charpentier, Marc-Antoine: Te Deum

vocal/choral score

Transcribed by Köhs, Andreas
Edited by Schauerte Maubouet, Helga
Nástroj: Vocal
Inštrumentácia: SSolo/ASolo/TSolo/BSolo/Mixed choir/2Fl/2Ob/2Trp/timpani/Org/Str
Edičný rad: Bärenreiter Urtext
Period: Barok
Stupeň: 3
Weight: 0.171 kg
Vydavateľ: Bärenreiter
Objednávacie číslo: BA7593-90
Katalógové číslo vydavateľa: BA07593-90
ISMN: 9790006525430
The 'Te Deum' (H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643-1704), especially since its ' Prélude en rondeau ' was made the Eurovision signature tune. Although Charpentier set the 'Te Deum' altogether four times, this is his only setting employing a 'military band', i.e. trumpets and kettledrums. This brilliant and magnificent piece was frequently played at victory celebrations and other occasions of public jubilation during the 17th century. Even today it is still ideal for festive church services and concerts.
The present edition stands at the forefront of scholarship and provides a complete, newly edited Urtext of Charpentier's masterpiece.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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