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Spohr, Louis: Six German Songs

for Voice, Clarinet and Piano

vocal/choral score

Op. 103
Edited by Leinert, Friedrich Otto
Inštrumentácia: voices/clarinet/piano
Period: Romantizmus
Weight: 0.135 kg
Vydavateľ: Bärenreiter
Objednávacie číslo: BA7571
Katalógové číslo vydavateľa: BA07571
ISMN: 9790006492138
Spohr composed the Sechs deutsche Lieder (Six German Songs), Op.103, in 1837. From about 1809, a few years after taking up the Post of Konzertmeister in Gotha, he constantly returned to the problem of the song with piano accompaniment (he composed roughly 90 songs in all). It is true that the form of the Lied was not Spohr's principal interest, master of the symphony, opera and chamber music as he was. But the same preference for unusual combinations, the delight in experiment, that is found in such instrumental pieces as the Septet, Octet, Nonet and the Symphony for Two Orchestras, is also discernible in the songs, and repeatedly gives rise to new ventures. Of all his songs with obbligato instruments, it is the present set with clarinet, Op.103, that have succeeded in reclaiming for themselves a place in the repertoire of today.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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