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Bach, Johann Sebastian: Motets of Doubtful Authenticity

vocal/choral score

Edited by Rempp, Frieder
Nástroj: Mixed Voices
Inštrumentácia: Mixed choir
Edičný rad: Bärenreiter Urtext
Period: Barok
Weight: 0.155 kg
Vydavateľ: Bärenreiter
Objednávacie číslo: BA5239
Katalógové číslo vydavateľa: BA05239
ISMN: 9790006521685

The authorship of the two motets &ldquo,Ich lasse dich nicht, du segnest mich denn&rdquo, and &ldquo,Jauchzet dem Herrn, alle Welt&rdquo, has eluded scholars to the present day, and their authenticity as genuine works by Bachis at least open to question. Nevertheless, both motets enjoy great popularity. This edition offers church choirs a welcome and immanently practical diversion from the standard repertoire.

  • Interesting and effectivemotets by Bach or a member of his circle
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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