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Bach, Johann Sebastian: St. Matthew Passion

vocal/choral score

Transcribed by Focke, Martin
Edited by Glöckner, Andreas
Nástroj: Vocal
Inštrumentácia: Mixed choir-SATB/Org/Orch
Edičný rad: Bärenreiter Urtext
Period: Barok
Stupeň: 4
Weight: 0.67 kg
Vydavateľ: Bärenreiter
Objednávacie číslo: BA5099-90
Katalógové číslo vydavateľa: BA05099-90
ISMN: 9790006531738
Bach's St. Matthew Passion as we know it today evidently had a long history dating back before 1727. It is unclear whether the work performed at the Thomaskirche on Good Friday 1729 was based on a still earlier version. Whatever the case, the surviving version of 1729 presents the work in a form strikingly different from its later incarnation. For example, the opening section ends with the chorale ' Jesum lass ich nicht von mir ' which was replaced by the large-scale cantus firmus chorus 'O Mensch , bewein dein Sünde gross' for the 1736 performance.
The well-known alto aria 'Ach! nun ist mein Jesus hin ' is still assigned to a bass in the earlier version, and the aria ' Komm süsses Kreuz ' calls for a lute instead of the later viola da gamba . Moreover, the pieces for double chorus only require a single continuo group. Other differences can be found in the instrumental scoring and voice-leading. The early version of the St. Matthew Passion is thus a most interesting addition to the great concert repertoire.
The corresponding volume of the 'New Bach Edition' (series II/volume 5b) serves as a conducting score.
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In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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