Cena: $26.10 (bez DPH)
Online availability: Usually ships within 15 days
Store availability: Usually ships within 15 days

Mozart, Wolfgang Amadeus: Sinfonia concertante for Violin, Viola and Orchestra E-flat major K. 364 (320d)

piano score

Edited by Mahling, Christoph Hellmut – Mahling, Christoph-Hellmut
Transcribed by Töpel, Michael
Nástroj: Orchestra
Inštrumentácia: V-solo/Va-solo/2Ob/2Hn/2V/2Va/Vc/double bass
Edičný rad: Bärenreiter Urtext
Period: Klasicizmus
Trvanie: 0:29
Weight: 0.394 kg
Vydavateľ: Bärenreiter
Objednávacie číslo: BA4900-90
Katalógové číslo vydavateľa: BA04900-90
ISMN: 9790006460250
There is no reference to the origin, occasion or a performance of the Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn, 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the 'Symphonie concertante' his special attention. On April 5, 1778, he wrote to his father: 'Now I shall write a sinfonie concertante for flute wendling, oboe Ramm, Punto horn, and Ritter bassoon'.Even more discouraging must have been the fact that he had similar difficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels, Le Gros, contrary to his promise, did not include the mentioned 'sinfonie concertante' in his program.
Mozart had no reason to compose any more for this genre in Paris. After Mozart's return to Salzburg, he might have been e ager to introduce the new genre there, especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

How can I shop?

Online purchase:

Buy directly from our web-shop via credit/debit card payment. With this method, only publications which we currently have on stock can be purchased.

In-store pickup:

If you prefer not to shop online, you also have the option to order from our website and we will forward your order to one of our partner music shops of your choosing. In this case, you will buy the scores directly from the shop and pay for them there upon pickup.

Your purchase and payment method can be set here.

Informacie o autorskych pravach
Upozornujeme Vas, ze kopirovanie chranenej hudby bez povolenia nositelov prav (podla Autorskeho zakona) je zakazane a nelegalne . Kopirovanie hudby pripravuje nositelov prav o zakonny prijem .