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Mozart, Wolfgang Amadeus: Cosi fan tutte ossia La scuola degli amanti K. 588

vocal/choral score

Transcribed by Baumann, Rasmus
Edited by Ferguson, Faye – Rehm, Wolfgang
Words by Da Ponte, Lorenzo
Translated by Honolka, Kurt
Nástroj: Vocal
Inštrumentácia: 3SSolo/TSolo/2BSolo/Mixed choir-SATB/2Fl/2Ob/2clarinet/BaHn/2bassoon/2Hn/2Trp/timpani/Str/Bc
Edičný rad: Bärenreiter Urtext
Period: Klasicizmus
Jazyk: German-Italian
Weight: 1.248 kg
Vydavateľ: Bärenreiter
Objednávacie číslo: BA4606-90
Katalógové číslo vydavateľa: BA04606-90
ISMN: 9790006451906
In the space of a few months, in the autumn and winter of 1789, Mozart filled more than 650 pages of a score that shows practically no signs of mental or physical exertion. The result was one of his most profound operas, Cosě fan tutte , which has held listeners spellbound with its blend of bitterness and comedy to the present day.
Our new easy-to-play vocal score is based on the volume edited by Faye Ferguson and Wolfgang Rehm for the 'New Mozart Edition' (NMA II/5/18) and on the latest scholarly findings from the critical commentary published by Henning Bey and Faye Ferguson in 2003.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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