Haydn, Joseph: Symphony in B-flat major Hob. I:77

score

Nástroj: Orchestra
Inštrumentácia: Fl,2Ob,2bassoon,2Hn,2V,Va,Vc,Db
Period: Klasicizmus
Trvanie: 00:21:00
Rozsah: 45 strán
Vydavateľ: Bärenreiter
Objednávacie číslo: BA10986
Katalógové číslo vydavateľa: BA10986
ISMN: 9790006569106
Haydn composed his Symphony No. 77 along with his Symphonies Nos. 76 and 78 for a planned journey to England that never took place. Nonetheless, H.C. Robbins Landon calls these works the 'English symphonies' as they are stylistically closely linked to the 'London Bach', Johann Christian Bach. Haydn himself, in a letter of 1783 to his Parisian publisher Charles-Georges Boyer, described the symphonies as ‚Leicht und nicht vil Concertirend', meaning that they were light in spirit and did not contain extensive solo passages but rather a clear sense of classical form.
Continuing the cooperation between Barenreiter and the G. Henle publisher regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn'. The Barenreiter catalogue now includes the complete performance material for several 'Sturm und Drang' symphonies as well as all the London and Paris symphonies.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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