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Mendelssohn-Bartholdy, Felix: Song without Words

for Violoncello and Pianoforte

playing score

Op. 109
Edited by Todd, R. Larry
Nástroj: Violoncello and Piano
Inštrumentácia: Vc,Piano
Edičný rad: Bärenreiter Urtext
Period: Romantizmus
Weight: 0.102 kg
Vydavateľ: Bärenreiter
Objednávacie číslo: BA10934
Katalógové číslo vydavateľa: BA10934
ISMN: 9790006566587

This standard work of the cello literature has been extracted from volume II of the Complete Works for Violoncello and Pianoforte (BA 9096 and BA 9097) which was published in 2016. Mendelssohn scholar R. Larry Todd edited thescholarly-critical edition of &ldquo,Song without Words&rdquo,.

This work is not based on the surviving autograph manuscript, which could not have been the basis for the posthumous first edition, but rather on the onlyplausible source: the German first edition

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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