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Satie, Erik: Embryons desséchés

for Piano

playing score

Edited by Rosteck, Jens
Nástroj: Klavír
Inštrumentácia: piano
Edičný rad: Bärenreiter Urtext
Period: Romantizmus
Jazyk: English, German
Stupeň: 3
Weight: 0.129 kg
Prvé vydanie: 2015
Vydavateľ: Bärenreiter
Objednávacie číslo: BA10811
Katalógové číslo vydavateľa: BA10811
ISMN: 9790006521067
In the summer of 1913 Satie once more poked fun at himself and the world of music with a set of parodic piano pieces on various marine animals, giving it the grotesque title ''Embryons desséchés'' (Dessicated Embryos)(BA 10811). The atmospheric cycle ''Avant-dernieres Pensées'' (Next-to-last Thoughts) (BA 10849) of 1915, with its underlaid words, likewise belongs to Satie’s ‚story pieces’. The notation without barlines, the ‚stories’ beneath the music and the spoofsof well-known pieces of music,
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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