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Playford, John: The English Dancing Master

for Recorder (Flute) and Piano (second part ad lib.)

playing score

Transcribed by Newerkla, Nikolaus
Inštrumentácia: recorder(Fl)/piano(harpisc.)
Edičný rad: Ready to Play
Stupeň: 3
Weight: 0.172 kg
Vydavateľ: Bärenreiter
Objednávacie číslo: BA10609
Katalógové číslo vydavateľa: BA10609
ISMN: 9790006541966

Beginning in 1651, John Playford released a series of dance instructions with corresponding melodies. After their initial success he named them ''The Dancing Master''. Editions continued to be published up until 1728. Theyincorporated traditional as well as new song themes of the day with powerful and memorable Baroque melodies.The most beautiful of these songs have been arranged here for descant or treble recorder and piano accompaniment.Included, among others, are ''Newcastle'', ''Black and

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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