The final volume of this series concludes the set of twenty-four preludes, and further emphasizes some of the common ground between jazz, classical music and the many fertile traditions of folk and art music which have evolved throughout the world. The range of influences is, perhaps, even broader than in the previous volumes. In addition to the six preludes unique arrangements/reharmonizations of Beethoven's Adagio Cantabile from the Pathetique Sonata, opus 13 and the traditional Amazing Grace are included.